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Orson Welles is one of the 20th centurys most fascinating people, and there have been an endless number of terrific books about him. Biographies, critiques, even a book about someone who went to lunch with him a few times. Is there anything left to be said?Well, how about a well-researched and comprehensive in-depth analysis of a movie that Welles spent a lot of time filming and editing, but never actually completed? In other words, a book about an Orson Welles film that doesnt exist.Perfect!Josh Karp has discovered everything youve ever wanted to know about The Other Side of the Wind, a movie that has been described as Orson Welless final obsession. Its the movie that Orson Welles spent twenty or so years making, but that -- through a series of unfortunate circumstances as well as some boneheaded moves by Welles -- never got finished or released.In the course of examining Welless life through the lens of this unmade film, his book also touches upon Hollywood, other performers such as John Huston and Rich Little, Welless personal and professional life, and even the Iranian revolution. A few tantalizing tidbits:Orson Welles reportedly edited part of a porn film. He needed someone from his regular crew to help him with The Other Side of the Wind, but that person was busy editing a porn film. To hurry things along and get this guy back, Welles helped out, and personally edited a lesbian shower scene.Welles was a terrible, terrible money manager, which was a big part of the problem with getting this movie made. At one point, this book drops the tantalizing nuggets that Welles probably didnt even have a bank account, and frequently walked out on dinner tabs, paying the restaurant or his dinner guests with his legendary presence. Welles deteriorated significantly during the last ten years of his life. He liked using an editing studio that was on the second floor of a walk-up, but as he turned 60, he had to switch to a ground-floor studio because he could no longer make the climb. When his personal assistant brought him a staggeringly large amount of fast food, she was shocked to see a table full of medicine bottles in his room. When Welles noticed that the assistant was gaping at him as he dug into his food while surrounded by medicine, he looked at her and said, simply and sadly, Do you think I want to live like this?And heres a wish-I-were-there story from the Acknowledgements section: When Karp interviewed Rich Little for this book, Karp says that the famous impressionist spent much of the interview conducting conversations between Orson Welles and John Houston in dead-on impressions of their actual voices. Why, oh why, didnt Karp bring a video camera? This is a really great book for anyone who is interested in a unique perspective on Orson Wells, Hollywood, or how movies are made -- and not made.ONE CAVEAT: I got this book free through the Goodreads giveaway program, and got something called an Advance Reading Copy. Im not sure what that means, but my version of this book contained multiple typos (Welles provided the voice fir the planet Unicron...), and sloppy editing (a clearly stoned Dennis Hopper appears on camera sitting by a fire, clearly stoned...). The illustrations were scattered randomly throughout the book, uncaptioned and difficult to see -- one was almost literally nothing but a big black blotch. And there was no index, which made it almost hopeless to try to straighten myself out when I lost track of who was who in Orson Welless vast entourage. My rating assumes that the final published version does not have these errors.

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